Nick Ottens, of The Gatehouse and Gatehouse Gazette, contends that steampunk is dead. My response follows.
I have been waiting ages to be able to reveal this bit of exciting steampunk newsery. I'm in a podcast! The credits page has been officially released as of today.
Forums. Tumblr. Twitter.
I've collected a number of pins/ patches over the years. I'd like to use them but I don't want to poke holes in all my clothes/ permanently affix patches to jackets I grow out of. What do you do with yours to bring them with you?
My place of work has been a source of constant change for about 10 years now. Restructures, realignments, reorganizing; but we're just about to hit a change that's putting all the others to shame. Complete redesign. New reporting lines. External audit. The works. This is putting a strong strain on morale and highlighting our former collaborative culture has been eroded. Over the years we've had a few attempts at communities of practice for coders, getting people together from different areas, bouncing ideas off each other, trying to get a community going.
Thinking about Steampunk utopias/ dystopias/ window dressing. Dystopian/ dark future steampunk where the streets and lungs are choked with smoke and coated in ash. Smogpunk? I've already claimed Steampulp for the utopian adventure theme.
That’s how much money, over three years, the Steampunk Ghostbusters Charity ball raised for the Cancer Council Queensland. With immeasurable thanks to our guests, to the venue and staff, but most of all due to the amazing efforts of our coordinating committee and the volunteers. Honoured to have been a small part of a wonderful outcome.